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Bodo Sperling : ウィキペディア英語版
Bodo Sperling

Bodo Sperling (born May 6, 1952) is a German artist, painter and inventor.
==Life==
Bodo Sperling grew up in Frankfurt am Main, Leipzig, Amsterdam and Berlin. He started his artistic career in Amsterdam. There he sold his pictures he had painted during the day on the street every night at Club Paradiso (Amsterdam).
One focus of his work is the development of scientific models by looking at the aesthetics, and the implementation of scientific models in objects. In 1985 he calls his art direction "Objectivism".〔VG Bild-Kunst, US 173012 15. February 1985, Author art direction "Objektivism"〕
Another focus of his work is the documentation of physical processes through their aesthetic. The German philosopher Thomas Metzinger, manager of the workspace Neurophilosophy at Frankfurt Institute for Advanced Studies. ''Science Arts'' writes in the catalogue ''Transparency of Consciousness'' that "Its crystal panels were probably the reason why so much attention, because they work in a particular object, the quasi-spiritual principles of order in nature itself to turn aesthetic intuition accessible."〔1997〕 (See Figure Crystal Object Objectivism)

Since 1985 he has worked with computers as a design tool. Two of his paintings are exhibited at the Center for Art and Media Karlsruhe.〔(【引用サイトリンク】title=Information about Bodo Sperling )
1990/1991 Spokesman of the Federal Association of Artists BBK Frankfurt.〔(【引用サイトリンク】title=East Side Gallery: Descriptio )〕 1990 Sperling served as authorized negotiators, negotiations for unification of the Federal Association of Artists with the GDR - Artists Association. He was one of the four founders of the East Side Gallery, Berlin Wall, Berlin.〔(【引用サイトリンク】title=Art under steaming water )〕〔(【引用サイトリンク】title=Das gefälschte Denkmal - Geschichte simulieren: Warum Berlin das berühmteste Teilstück der Mauer einfach neu bemalen ließ )〕 in March 1990.

In May 2011 he filed with other artists of the "founding Initiative East Side" complaint before the District Court of Berlin, due to destruction of art and infringement of copyright. The redevelopment of the East Side Gallery in 2009 destroyed most of a listed building images, and their conceptual artistic Character of 1990.〔(guardian.co.uk world 2011 may 03 "Berlin Wall artists sue city in copyright controversy" )〕

Sperling 1992 installed on the 1st Total German artist Congress in Potsdam, a five-meter high mobile, which, illuminated by slides, the impression of a constantly changing 3-D film produced. From 1980 the first pictures emerged from crystals and crystal panels. Sperling describes his artistic work as Objectivism.
In 1991 he created at the national exhibition in Kassel, a video installation that confronted the viewer with the objective documentation of Spacetime. It was installed on a several tons of stone altar on which stood a steel basin. In this steel basin formed over time crystals from a boiling solution. The entire process has been documented over several weeks by an automatic camera.〔
*''Hessiale `94, National Art Exhibition'' Kassel〕
The basis of his work, he sees in line with research by Rupert Sheldrake and his theory of Morphic field.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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